PUNU Mask from Gabon West Africa 14x11 in
Punu masks represent idealized female ancestors' faces. The white color of the mask is genderless; white is a symbol for peace, deities, spirits of the dead, and the afterlife. It is thus the predominating color in funeral celebrations and memorials. Therefore the masks were worn during funerals. They appeared also in the magical rites whose function was to unmask sorcerers. The masks have realistic, mostly white but sometimes black faces with protruding pursed lips, globular protruding eyes incised with a curve, high-domed foreheads, and characteristic rigid high coiffures reflecting the Punu women's hair styles. The masks often have an Oriental expression, but no such influence has been established. Many Punu masks can be recognized by raised diamond-shape scarification marks on the foreheads and temples. The scarification marks on the temples are thought to be associated either with a female ancestor, or with a southern sub-group of the Punu tribe. Black face-masks have exactly the same stylistic characteristics as the white masks, but they are believed to have a judiciary function and help identify sorcerers. The performances of the masks are nowadays intended primarily to entertain audiences on festive occasions. Only rarely do the masqueraders fulfill a ritual function of officiating at funerals, when they dance as embodiments of the ancestor spirits. In performances the dancers, wearing costumes of raffia or cotton fabric and animal pelts, move with amazing acrobatic agility on stilts up to six and a half feet in height. The Punu also carve standing reliquary figures, which watch over the bones of the deceased. Punu artists carved also amulets and everyday objects showing faces similar to those found on masks. It is thought they were used as prestige objects, during magical ceremonies, or were kept alongside the ancestral bones in a reliquary box.